Today on my blog I have the honor of interviewing Charli Fountain, the head illustrator for Cheshire Grin
Publishing. Welcome to “My Thoughts”. Thanks for sitting down to answer some
questions.
I just finished “Dog Without a Shadow” and was
particularly taken with the artwork.
What attracted you to art in the first place?
I’d
like to say that I was drawn to expressing myself when I could not make up the
words to come out of me. I was painfully shy and often I can picture in my head
what I want or thought but I can’t explain it well. So really I draw so I can
have my voice heard.
How did that lead to illustrating a book like this
one?
In
middle school, I felt it was my time to get out and adventure things, but I was
still limited in what I could do or find out. I spent a lot of time in the
library, and I found couple of unique comic books and I had already known I
enjoyed writing stories and I enjoyed drawing, but I decided I suddenly found
my way to do both. I had known about comic books all my life but I had never
seen one bigger than the Sunday newspaper comics until middle school.
How would you describe your style?
I
am still finding my own style but I grew up loving beautiful elegant works and
designs. I also had a cartoony humor and that translated to my art very
clearly. I feel my style will never stop evolving because I am always learning
something new. I have simplified realism in my works, and an air of pure
fantasy.
Did you have any mentors or role models who spurred
you in this direction?
I
actually have lots, and I know one person who started it all, my Mom. She gave
me a book of Fairy Paintings by Amy Brown and I still have it with some pages
falling out from looking at it day after day. I carried it to school, I kept it
under my teenage pillow, and I learned from it. Amy Brown became a major model
for my art. It followed with some music muses like Avril Lavigne and Amy Lee,
and more artistic heroes like Stan Lee, J. Scott Campbell, and Rumiko
Takahashi. Those are actually the people I have on my list that I dream to meet
with one day.
I was intrigued by your use of color in the
book. Is that part of your style or was
it specific to the story?
That
was a bit of both I like vibrant bold colors and I also know Amadogus himself
is a big black dog, I felt having the brighter colors would help the audience
draw their attention towards him as well as I hoped it would help lead a flow
of direction to the pages.
Do you see the pictures in your head before you draw
them or do they come to you as you work?
I
most of the time see them in my mind before I draw them. I have woken up at 3am
with an image and I could not go to sleep until it was on paper. There are
those special cases where I have an idea but I don’t know how to execute it so
those come as I work but it is very seldom they do.
Have you ever wanted to branch out and do other
types of art?
All
the time, I actually have a lot of hobbies between making costumes, I want to
learn cosmetology, special effects make up, Air brushing, and water transfer. I
can go on and on with the different things I’d like to do. I can watch a video
and say, “that looks like so much fun.” And I will add it to my list.
I hear talk about a children’s museum. Can you shed some light on that for me?
Angel
and I are planning on taking some of my original work for ‘The Dog without a
Shadow’ and possibly more to put on display at a children’s museum. There were
lots of drawings I illustrated for this book and a couple of them never made it
to the story so I had hoped, because one of them was my favorite, that I can
still show it to kids and they enjoy it as well.
Is this the only children’s book you have
illustrated or are there others?
‘The
Dog without a Shadow’ was my first, but we have also started using other works
of mine in other children’s books like ‘Ikto’s Umbrella’. That is a new one
Angel wrote and it just became available for children.
What can we expect from you and Cheshire Grin in the
future?
We
have two other children’s books besides ‘The Dog without a Shadow’, one is
called Ikto’s Umbrella and the other is ‘Adelise’. I also have started a couple
of novellas, I will have illustrations in those as well, and you will see more
on those the closer they are to being complete. I have worked on one for almost
ten years I am really excited to finally get it to the point where everyone can
read it.
Your dedication to your work certainly is evident in
its fine quality. Thank you for being on
the blog and I wish you the best of success in the future.
Rival
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